OK, let’s try this again.

I kind of jumped the gun on making my “Best Albums” lists a couple of weeks ago.  In that time, I’ve already changed a few things, and discovered a couple of more albums that deserve a place on the list.  And not only that, but I’ve been listening to a lot of music lately from the last few years and I realized I completely overlooked a few that would easily be a part of the best of the decade releases.  So let’s just say those previous lists were tentative, and these are the definitive lists.  They’re definitely final…

For now.

BEST ALBUMS of 2009

1.  Light – Matisyahu
2.  Fiction Family – Fiction Family
3.  Wilco (The Album) - Wilco
4.  The Resistance – Muse
5.  The Hazards of Love – The Decemberists
6.  Swoon – Silversun Pickups
7.  The Incident – Porcupine Tree
8.  Farm – Dinosaur Jr.
9.  Far – Regina Spektor
10.  Black Clouds and Silver Linings – Dream Theater

This was an interesting year for music.  While many pop groups still create singles and push for the iTunes-driven market of people gobbling up one song at a time, several bands have been going back to the basics.  Instead of releasing catchy singles, some of the albums this year have been entirely album-driven.  And not only are bands going this direction, but the market is beginning to as well, with Apple unveiling the iTunes Albums concept earlier this year.

The best examples of album-centric releases are from Porcupine Tree and The Decemberists.  In their latest albums, the bands tell a narrative that flows from the opening track to the finale.  It makes it difficult to find individual songs that really stand out because the same melodies will be reused multiple times throughout, similar to a symphony with clear overtures and themes.  However, the albums as wholes are fantastic when consumed in their entirety, which can be debated that is how they are exactly designed to be used in the first place.  They might not catch your attention the first time, but as you listen to them repeatedly, you begin to discover many nuances and layers that you didn’t realize existed before.  It’s an incredibly challenging yet rewarding method of creating music.

The biggest surprises this year for me were Light by Matisyahu and Farm by Dinosaur Jr.  The reason is that I’ve listened to previous albums by both groups, but I never was huge fans of them.  They were entertaining to listen to once in awhile, but that’s about it.  However, especially in Matisyahu’s case, their latest attempts are huge leaps and bounds over their previous work.  Light is an album that started off fairly low on my “Best Of” list when I first heard it.  However, over the months it has slowly climbed higher and higher, especially in the last few weeks.  I decided to play it while driving and the track “So Hi So Lo” came on.  Something clicked.  I starting hearing things I hadn’t heard previously.  I started paying attention to the lyrics more.  Suddenly, I discovered an album that is so incredibly rich with layers of not only musical creativity and genius, but lyrical significance as well.  Almost every track has a message or moral behind it that is poignant and well established, combining Matisyahu’s signature blend of rock and rap styles to create a beautiful fusion of genres.  If you haven’t heard it yet, you really should.  It’s definitely the best album to come out in 2009 in practically every single way.

And Fiction Family’s self-titled album was a mistake for not belonging on the original list.  I thought it was a 2008 album, but it actually came out in January of ’09.  It is at the top, as it is such a great freshman release from the Sean Watkins, Jon Foreman collaboration.

And now, here is my updated ” Decade” list.  I don’t foresee this changing at all, especially with the change to the number one spot for this last year.  And remember, they’re not ranking in any way.  I simply listed them by year of release, as it would be too hard to place them any other way.

The albums that are new to this list over the old one are in bold.

THE BEST ALBUMS OF THE DECADE

20.  Light – Matisyahu (2009)
19.  Fleet Foxes – Fleet Foxes (2008)
18.  Oracular Spectacular – MGMT (2007)
17.  Fear of a Blank Planet – Porcupine Tree (2007)
16.  Under the Iron Sea – Keane (2006)
15.  Eat, Sleep, Repeat – Copeland (2006)
14.  The Crane Wife – The Decemberists (2006)
13.  Eager Seas – Watashi Wa (2006)
12.  Takk… – Sigur Ros (2005)
11.  Why Should the Fire Die? – Nickel Creek (2005)
10.  Come On, Feel the Illinoise! – Sufjan Stevens (2005)
9.  Hide Nothing – Further Seems Forever (2004)
8.  Funeral – The Arcade Fire (2004)
7.  Futures – Jimmy Eat World (2004)
6.  The Final Straw – Snow Patrol (2003)
5.  Transatlanticism – Death Cab For Cutie (2003)
4.  Yankee Hotel Foxtrot – Wilco (2002)
3.  Origin of Symmetry - Muse (2001)
2.  Electric Boogaloo – Five Iron Frenzy (2001)
1.  Parachutes – Coldplay (2000)

  • http://www.tonycordova.com Tony

    “Light” is a great album, but not even close to top 20 in the decade! The messages and morals are pretty good, but also pretty elementary. Peace, Homelessness, Life, none of the songs really make me think.

    Don’t get me wrong, I love the album, I just don’t think the lyrics stand out as much as you say.

    For me the album is just popcorn.

    Interesting that you left Muse out of the Decade music.

  • http://www.tonycordova.com Tony

    Also, can you give me an example of a song that has the “layers” you’re talking about? I’m listening to the album again and failing to see the same value that you see.

  • http://www.tonycordova.com Tony

    You also need to get on the Last.FM train. I would love to see what you’re listening to and learn about new music without having to be so active.

    http://www.last.fm/user/injun42

  • Josh

    Examples of great songwriting: “We Will Walk”, “One Day,” “So Hi So Low,” “I Will Be Light”…

    In “I Will Be Light,” there’s a great series of lines in the second verse:

    “Time will continue without you
    So in the end
    Its not about you
    But,
    What did you do?
    Who do you love besides you
    Beside you, many died in the name of vanity
    Many die,in their mind’s eye, for justice
    We die for you
    And still do
    So I say to you
    This is nothing new”

    All wrapped around the theme of shining, to be burn bright and be the example to all. But it’s not FOR you, and you’re not the only one who’s ever been in that role. It’s a classic theme, sure, but with a different approach to it that is unique and fairly fresh.

    In fact, that’s how all of his songs are. Sure, none of the “messages” he sings about are new or groundbreaking. But he presents them from different approaches than the common musical artist.

    And for totally brilliant songwriting, listen to the bridge in “So Hi So Lo.” It’s a textbook example of how to create a bridge that not only fits in the context of the song, but builds and amplifies in a way that conveys the emotion of the song and crescendos into a perfect climax that ties everything all together. I’m pretty sure most bands don’t know how to create bridges. They think, “Oh this is where we do something a little different than the rest of the song,” and call it a day. There’s so much more to it than that, and a simple 15 second stretch of song can make or break a track. In this case, it elevates the song from a good one to a truly amazing one.

    Plus the lyrics are something that are so easily identifiable. Hasn’t everyone been in this position at some point? Where you’re searching desperately for something for yourself but you’re not sure where to find it? And at some point, you just have to let go of searching for it yourself and just let it find you?

    “I am searchin’ for the shade of the tree
    Heard about it from a tune in the breeze
    They say exists on the side of the road
    But which road nobody was told (so lo)
    All I know is I must find a road that leads where nobody goes (so lo)
    Where I can roll down all the windows where the wind blows down those fears And foes (so hi)
    So let go of the steering wheel let go let go (so lo)
    All I know is I must find a road that leads where nobody goes
    Let go of the steering wheel let go let go.”

    So yeah, I totally feel confident saying that it’s the best album of last year. It’s truly, truly great.

  • http://www.tonycordova.com Tony

    Thanks for the reply, I see what you’re saying.

    I’m also kind of disappointed that Fleet Foxes is in your top Decade but Bon Iver is nowhere to be found. I feel that the Bon Iver album is superior in almost every way. Fleet Foxes is great, and I only bring up the comparison because of how similar they sound.

  • Josh

    I’ve never heard Bon Iver. I’ll go check them out!

  • http://www.tonycordova.com Tony

    Dude! You’re dead to me.

  • Josh

    You like Postal Service more than Death Cab. You’ve always been dead to me.

  • http://www.tonycordova.com Tony

    I think most people think the way you do….conformist!

  • Josh

    If being a conformist means I understand music and what makes a band great, then I will take that mantle and wear it proudly.

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